Music phrasing in jazz or blues improvisation
Practice to end the phrase on the different tones of a chord and to make the action I propose.
The fundamental element to build a good phrasing is that every phrase must be connected with the previous ones.
1. Remember to vary the beginning and ending of a phrase:
Practice to begin and to end the phrase in every point of the measure
B = Beginning tone
E = Ending tone
AVOID this bad habit : (Same beginning and ending points )
Ending of a phrase
Practice to end a phrase on different tones of a chord:
Tone | Effect | Style | Action |
1
|
Rest – Close the phrasing | Rock, Pop
You |
You have to begin a new phrasing |
2 | Tension and unbalance | Jazz | You have begin the following phrase from that note |
3 | Rest and strong determination | Any style | No particular action |
4 | Tension, unbalance and suspension | Jazz, Blues | Begin from that note and solve it to the tone below |
5 | Rest and neutral | Any style | No particular action |
6 | A bit of tension and coloured tone | Jazz, Pop | I suggest to begin the following phrase from that note |
7 | A bit of tension and determination | Jazz, Blues Pop | No particular action |
This concept is very important in music improvisation.
Music phrase : phrasing development
Practice to end the phrase on the different tones of a chord and to make the action I propose.
- Na = no particular action
- T = Tension
- Ba = Begin again
- S = Solving tone
Another example containing a wrong ending tone ( Tension is not solved or begun again).